exhausted in mind, not body.
delicious candied cocoa nibs for afternoon snack.
not feeling the tea cinnamon thing. plus it was weirdly gummy. humph.
LROD hasn't been appearing in my rss feed...that makes me sad.
my dog is a champion at unmaking the bed.
i'm really not sure if it's a good thing or a bad thing that my boss didn't get back to me today...but i know i'll find out later in the week.
i'm reading this e-book on my computer (really, it's a pdf file, so am i supposed to call it an e-book or a pdf?) and it's in two columns per page, which annoys me immensely.
i feel like a lot of the publishing blogs lately (cause of the kindle?) are having the same conversation that i was having eight to ten years ago (ebooks, the death of print publishing, the flicker of the screen versus the turn of the page)...which makes me wonder if so many voices are just now joining the dialogue, or if we've been having the same conversation for ten years now.
i'm supposed to be checking out a new writers group on thursday but so far haven't received anything to read for it.
my dog has the cutest smile on his face right now.
i need to cook my bergamot.
michael ruhlman has a great post on lemon squares and you should read it.
there are 59 comments on this post, which makes me think i'm not the only one who likes lemon squares.
i'm really very possible about to train my fourth coworker in 2 months...3 months...can't remember.
i'm nervous i won't like the new brand of coffee i bought at the andronicos.
i've been getting a bunch of rejection letter on this piece of flash, but none of the letters have been interesting.
i feel like apricots are right around the corner and that is very satisfying.
last night a fellow grad student came up...she's had some books out, appeared on npr recently. she was a pub kid and not an mfa-er, so i didn't know her very well, but someone who was out with us said that she thought this woman wrote books she thought would sell, as opposed to books she wanted to write. it took me a microsecond to acknowledge that i'd rather have a book that meant something to me, that i wanted/needed to write, than a book that i produced from a more flippant place.
but i do wonder, does it make it easier to write a book if you're not attached to the story you're telling? by attached i mean with your whole heart? if i were writing a book like this blog post where it didn't matter what sentence followed the next, per se, where i was writing it for someone to read it...or my name to be known...
and who do you write for? (or cook for?)
yourself? who you'd like to be? who you were?
what is the most satisfying audience you can imagine? do you know when you have a good audience? do you recognize apt criticism? does it still sting?
i wrote, when i was a kid, out of some vague hope for fame. then i wrote cause it was smart. i read always, without thinking about why i read.